BY ELIZABETH ZIMMER | October is, in its way, our most colorful month, and a reprise of Bill T. Jones/Arnie Zane Company’s Curriculum II—a rich stew of language, idea, movement phrases, and buckets of bright paint applied to the bodies of 10 gorgeous, diverse dancers—seems a good way of welcoming it to town. From its […]
BY CHARLI BATTERSBY | Spooky Season in New York is off to an early start this year. An interactive haunted house has been running just off Times Square since a week before Fall officially began. The premise of Terror Vision is that the audience members are visiting HorrorWood Studios. They are guests of a film […]
BY ELIZABETH ZIMMER (For Part I of Zimmer’s fall dance column, click here.) Bijayini Satpathy: ABHIPSAA — a seeking | Conceived and developed during the pandemic, this new work in the Odissi tradition had its first performances at Duke University in 2021, and makes its New York premiere in Chelsea, at Baryshnikov Arts Center. Dancer-choreographer […]
BY ELIZABETH ZIMMER | There’s been a sea-change in our dance and performance art communities. Building since before the pandemic, it is now firmly entrenched. The first inkling of the shift came years ago, when the proportion of Bessies (New York Dance and Performance Awards) won by BIPOC artists began to rise dramatically. On August […]
BY MICHAEL MUSTO | Spoiler alert! Yes, the car flies! And it does so much more dexterously than in the lame 2005 Broadway adaptation of Chitty Chitty Bang Bang. In fact, the car is a DeLorean that lights up, turns, zooms, spins, and eventually levitates over the orchestra seats, then turns upside down. With people […]
BY CHARLI BATERSBY | The documentary Break the Game begins with director/producer/co-editor Jane M. Wagner sorting through three thousand hours of footage of Narcissa Wright playing video games. When someone has three thousand hours of footage of themselves playing video games, and changes their name to “Narcissa,” and sleeps in front of a webcam with […]
BY ELIZABETH ZIMMER | The astonishing thing about the Mark Morris Dance Group’s upcoming season at the Joyce Theater is that it has never happened before. Morris, who founded the troupe in Seattle in 1980, showed his early work in tiny black box spaces like Dance Theater Workshop (now replaced at the same 219 W. […]
BY MICHAEL MUSTO | Who says the nightlife is dead? It’s alive and well and living in the form of a musical about Imelda Marcos. An immersive show about the onetime Filipina First Lady, with music by David Byrne and Fatboy Slim (based on their concept album) and additional music by Tom Gandey and J Pardo, Here Lies Love […]
BY ELIZABETH ZIMMER | Pilobolus—the mostly-male performance ensemble founded at Dartmouth College in 1971—had its 50th anniversary celebration derailed by the pandemic, but picked up the pieces and is touring now with two retrospective programs, each containing new works and repertory favorites. In residence at the Joyce through the end of July, the Connecticut-based troupe […]
BY SCOTT STIFFLER | Looking for a religious experience without the burden of learning a whole new set of rules to abide by? Two quintessential NYC experience on two successive days of the week beckon. The first inspires you to follow that still small voice that knows right from wrong; the second has the world […]