BY MICHAEL MUSTO | Who says the nightlife is dead? It’s alive and well and living in the form of a musical about Imelda Marcos. An immersive show about the onetime Filipina First Lady, with music by David Byrne and Fatboy Slim (based on their concept album) and additional music by Tom Gandey and J Pardo, Here Lies Love […]
BY SCOTT STIFFLER | There’s something satisfying about the fact that while self-aggrandizing lawmakers in Tennessee and other states were spending 2022/2023 trying to limit, license, discourage, and otherwise disavow drag, Sherry Vine and friends were creating six episodes of variety television that plays such pomposity for laughs, while putting the pursuit of cock where […]
BY MICHAEL MUSTO | The masses know Laurie Metcalf as the likably neurotic Jackie from Roseanne and The Conners, but insiders have long realized that an in-person, theatrical experience that features Metcalf is generally a capital-E Event. A two-time Tony winner with range and skill, she managed to make the part of the demented Annie […]
TEXT & PHOTOS BY MICHAEL MUSTO | The Drama Desk Awards honor Broadway, Off-Broadway and Off-Off, always putting together a talent-studded event that’s like an award winning production in itself. This time, they wisely opted for gender-nonspecific acting categories, picking two winners per category. The winners were announced on May 31 and this Tuesday, there […]
BY MICHAEL MUSTO | One-person shows are among my least favorite types of theater because they can verge on glorified lectures instead of real drama. Without various characters popping up to act out scenes as they occur, the one-person show usually resorts to an actor simply looking out at the audience and telling you about […]
BY MICHAEL MUSTO | Anyone craving a straightforward modern interpretation of William Shakespeare’s tragedy Hamlet should get themselves to a nunnery instead. Fat Ham—James Ijames’ Pulitzer-winning new play, which has come to Broadway after a run produced by the Public Theater and National Black Theatre—is much more ambitious than that. Using the basic plot themes […]
UPDATE! Originally announced as a limited run ending May 28, performances will continue through June 25. See the end of this article for ticket purchase info. BY SCOTT STIFFLER | History hidden, faded, and somehow still here is just part of what awaits when a fact-spouting chatterbox with a direct if fleeting connection to fame […]
BY MICHAEL MUSTO | Whenever a show opens on Broadway, you can bet all your assets that it’s either a revival or it’s based on a known title, so it seems like a revival. Broadway has become so expensive and risky for producers that familiarity has long become their best friend, and they routinely rely […]
The enduringly entertaining Pandora Boxx has done much to distinguish herself besides having the distinction of competing on the sophomore season of a little show called RuPaul’s Drag Race. Since then, the Season 2 contestant has returned to RPDR as a Season 1 and 6 All Stars competitor—all the while, racking up credits as an […]
BY TRAV S.D. | There is no adjective, certainly none in English anyway, to describe the emotions stirred up by Cabaret in Captivity: Songs and Sketches Written in Terezin, presented by Untitled Theater Company No. 61 (UTC61) as part of the National Jewish Theater Foundation’s Holocaust Theater Initiative. “Bittersweet” doesn’t cover it, for “bitter” won’t do […]