BY SCOTT STIFFLER | There’s something satisfying about the fact that while self-aggrandizing lawmakers in Tennessee and other states were spending 2022/2023 trying to limit, license, discourage, and otherwise disavow drag, Sherry Vine and friends were creating six episodes of variety television that plays such pomposity for laughs, while putting the pursuit of cock where […]
BY WINNIE McCROY | The 2023 Tribeca Film Festival includes, among its documentary offerings, filmmaker Jeanie Finlay’s Your Fat Friend, a look at the formerly anonymous blogger Aubrey Gordon. Since February 2016, the 350 lb. writer has discussed the realities of life as a fat person in a world built for the thin. “Just say fat,” […]
BY MICHAEL MUSTO | The masses know Laurie Metcalf as the likably neurotic Jackie from Roseanne and The Conners, but insiders have long realized that an in-person, theatrical experience that features Metcalf is generally a capital-E Event. A two-time Tony winner with range and skill, she managed to make the part of the demented Annie […]
TEXT & PHOTOS BY MICHAEL MUSTO | The Drama Desk Awards honor Broadway, Off-Broadway and Off-Off, always putting together a talent-studded event that’s like an award winning production in itself. This time, they wisely opted for gender-nonspecific acting categories, picking two winners per category. The winners were announced on May 31 and this Tuesday, there […]
BY SCOTT STIFFLER | Dirty, dirty, bad Bunny! This “Lady” in name only knew what she was doing when naming her new show Don’t Bring the Kids—and you’ll have your proof of that within the first few seconds of this relentless smorgasbord of scatological humor and sex jokes. Yes, Lady Bunny is back, every Tuesday […]
BY TRAV S.D. | April 27, 2023: Just another Thursday in Chelsea’s booming Gallery District. Your correspondent thought it would be fun to take in a lighting round of openings to see what was in the air, and encountered much to please the eyes. First on the itinerary was Innocent Nkurunziza: From Rwanda with […]
BY MICHAEL MUSTO | One-person shows are among my least favorite types of theater because they can verge on glorified lectures instead of real drama. Without various characters popping up to act out scenes as they occur, the one-person show usually resorts to an actor simply looking out at the audience and telling you about […]
MICHELE CARLO | Organized by the Whitney Museum of American Art to coincide with the fifth anniversary of Hurricane Maria, the first survey of Puerto Rican art at a major U.S. museum in 50 years takes its name—no existe un poshuracán (which loosely translates to “a post-hurricane world does not exist”)—from while they sleep (under the bed is […]
BY ELIZABETH ZIMMER | After three quiescent years, the Manhattan dance scene is picking up speed. There’s almost too much to do, too much to see. Here are two offerings not to be missed. (A new column with more must-sees will publish soon.) MARTHA GRAHAM DANCE COMPANY: April 18-30 | This venerable modern company, now 97 […]
BY MICHAEL MUSTO | Anyone craving a straightforward modern interpretation of William Shakespeare’s tragedy Hamlet should get themselves to a nunnery instead. Fat Ham—James Ijames’ Pulitzer-winning new play, which has come to Broadway after a run produced by the Public Theater and National Black Theatre—is much more ambitious than that. Using the basic plot themes […]